It's happened. I've begun analyzing not just how I make pictures but why I make pictures. I suppose doing this blog it was inevitable. Dissecting my working process and painting methods has been extremely helpful. But looking too deeply into desires and motivations is a mine field.
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Two Figures, oil on linen, 42" X 33 1/2", 2014 |
This is the largest and most complex figurative painting I've ever attempted. It's not perfect and I have some "issues" but it satisfies something in me. I left it hanging in the studio to contemplate. It started messing with my head.
I don't know from what spring the initial concept for this painting emerged. I don't know how the energy continued to flow to see the painting to completion. I do know that I don't need to quantify or justify what or why I paint. Some things
are best just experienced.
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