All last summer I painted from a group of non-static and highly perishable subjects. The petals of magnolia blossoms opened as I worked. Leaves of the watermelon plants curled and faded before my eyes. Even the flesh of a sliced watermelon lasted at best two painting sessions. The urgency and directness required to capture these subjects closely mimicked working from a live model - or so I thought.
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Nude Study, oil on canvas, 13" X 12", 2015 |
In reality my summers efforts weren't even in the same league of difficulty. The above image marks my first attempt at figure painting after a two month gap. The experience was by far my clearest realization confirming the value of figurative work. As a learning tool there is simply no substitute for the rigors of the live figure.
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