Prior to switching to a limited palette for my figurative work my biggest complaint was recurring "orange/brown" flesh tones. I mistakenly thought that a limited palette would solve this and a multitude of other issues. It didn't occur to me that red might assert itself leading me down an all to familiar path.
Oil on canvas, 12" X 10" Oil on canvas, 14" X 12"
Red is by far the strongest toning pigment in my palette. I'm afraid the reds got out of hand with the study on the left. Encountering the same model a few weeks later this last November I set out to remedy this.
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