|Reclining Nude, oil on canvas, 8" X 10", 2018|
The next step
I have worked from the live nude periodically since the early 1970's. This blog started August 9th, 2012 in my second year of working almost exclusively from the figure.
In the fall of 2015 I reintroduced still lifes and an occasional cityscape into my painting repertoire. Rather than abandon this figure blog or start a new one I decided to add them to the conservation.
All drawings and paintings posted on this blog were done entirely from live models or on location.
Monday, July 16, 2018
Early this spring I was introduced to a young artist who expressed interest in working from the live figure. Viewing her drawings it was clear she had talent. As my summer schedule was fairly open, I suggested she might be interested in an internship of some sort. Discussing the possibilities of such an arrangement, we decided "apprenticeship" would be a better designation. It didn't take me long to realize that she wasn't going to be the only apprentice. My learning curve was about to take a decided upward tilt.
Friday, July 6, 2018
By example I had hoped to entice other artists to abandon secondary source materials in favor of working from life. I might as well be advocating using smoke signals as a form of communication. Besides, I have come to realize that working exclusively from life might not be the best approach for most artists. So I'm done trying to convert anyone. I will continue to extol the inherent power of the live model.
|Nude Study, oil on linen, 10" X 12", 2007|
Tuesday, June 26, 2018
I have frequently talked about how valuable drawing is to ones development as an artist. Deep into some figure painting projects I somehow lost track that months had passed since I last picked up a pencil. The act of drawing utilizes a different, more primitive, part of the brain. One shouldn't go too long without exercising it.
|Chris, oil pastel on toned paper, 11" X 8 1/2", 2018|
Saturday, June 16, 2018
Occasionally, on their way to somewhere else, models offer to drop in for a figure session. These encounters are often last minute and don't allow for anything too ambitious. As practice opportunities, however, I find them difficult to pass up.
|Seated Nude Study, oil on canvas, 10 1/2" X 8 1/2", 2018|
Thursday, June 7, 2018
Where my figurative painting is concerned too many false positives over the years have conditioned me to remain skeptical even in the face of apparent progress. To proclaim even a small victory in a public forum would be unimaginable. So let's keep this on the QT - I think I nailed this oil study.
|Shoshanna, oil on canvas, 12" X 10", 2018|
Tuesday, May 29, 2018
In early 2017 I returned to painting the figure after focusing exclusively on drawing for an extended period (see February 24, 2017 post). I commented that it was going to take some time to regain my bearings. I never considered for a moment that over a year would pass before any tangible results would present themselves.
|Male Nude Study, oil on canvas, 14" X 12", 2018|
Sunday, May 20, 2018
Private sessions with a model are by necessity intimate occasions. They require a high degree of trust from both the model and the artist. Only the participants know the true nature of these encounters. Small minded outsiders often make uninformed critical judgments regarding these relationships. By doing so they only diminish themselves.
|Back Pose, oil pastel on toned paper|
8" X 6 1/2", 2018