The next step

I have worked from the live nude periodically since the early 1970's. This blog starts in my second year of working almost exclusively from the figure.

In the fall of 2015 I reintroduced still lifes and an occasional cityscape into my painting repertoire. Rather than abandon this figure blog or start a new one I decided to just add them to the conservation.

All drawings and paintings posted on this blog were done entirely from the live model.

Monday, July 10, 2017

Nuance

This figure study has avoided my discard pile multiple times. I like the strong shadow. But it is the bent finger of the upper hand that keeps it in my collection. I had a long comfortable working relationship with the model. She was a professional. Starting the drawing I could be confident of her being aware of and holding this subtle nuance.


Nude Withe Shadow, oil pastel on toned paper, 9" X 9", 2012



Saturday, July 1, 2017

Influences

Other than one assignment in a beginning painting class in college I haven't copied other artists work. As a learning tool I can see the value of copying. There is a market for "copy artists" doing reproductions of famous paintings. But duplicating others work for knowledge or profit has never appealed to me.

Still Life, oil on linen, 14" X 11", 2001

Just because I don't copy other artists doesn't mean I'm not influenced by them. Sometime after completing the above painting I started affectionately calling it "my Chardin" in reference to the eighteenth century French painter. There is no tangible basis for making this connection. I wasn't referencing or thinking of Chardin while painting it. For me there is just some mystical link. Over the years I have sensed the subconscious influences of many artist in my work.

Jean-Baptiste-Simon Chardin
Goblet,Apples,Pear and Two Bottles, 1750