The next step

I have worked from the live nude periodically since the early 1970's. This blog started in my second year of working almost exclusively from the figure.

In the fall of 2015 I reintroduced still lifes and an occasional cityscape into my painting repertoire. Rather than abandon this figure blog or start a new one I decided to add them to the conservation.

All drawings and paintings posted on this blog were done entirely from live models or on location.

Saturday, April 11, 2015

Turnabout

In 2011 I did an oil painting of a female nude. It was one of those paintings that progressed from start to finish with very little reworking. I thought at the time that any flaws were overshadowed by a raw power the picture possessed. But one of the hands always bothered me. At some point, without a model, I attempted a repair. Instead of making it better I made it worse. I'm embarrassed to post this but here it is.

"The Claw" (detail), 2011

Fixing this hand has been in my mental to do file for years. I am currently in the process of refining some small areas on a trompe loeil still life (see December 22, 2014 post). The skill set required for this tight work proved very helpful when having another go at the hand, this time with a model.

Repaired Hand, 2015, Perfect? No. Better? I think so.

When I was primarily doing still lifes I knew that working from the live figure benefited my overall technique. Now, having worked almost exclusively from the figure for over three years, working a still life is proving beneficial to my figurative work.


No comments:

Post a Comment