The next step

I have worked from the live nude periodically since the early 1970's. This blog started in my second year of working almost exclusively from the figure.

In the fall of 2015 I reintroduced still lifes and an occasional cityscape into my painting repertoire. Rather than abandon this figure blog or start a new one I decided to add them to the conservation.

All drawings and paintings posted on this blog were done entirely from live models or on location.

Sunday, March 23, 2014

Making a Living

At this stage of my art career focusing on the figure is an indulgence. I have sold nudes over the years but on the hierarchy of "salable" images they are near the bottom. Let me offer a partial explanation as to how I'm able to pursue my current passion.

In the winter of 1979-80 I found myself newly single and living in an unheated garage/utility room of a row house in Washington DC. "Living" off my art sales wasn't working out so well. My urge to paint was gone. I had more important things to deal with like eating. It became necessary to take a full time job to climb out of the hole I had naively slid into. I made a vow to never get in that situation again. I would keep an income source independent of my art.

On my feet again after a couple of years my desire to paint came back. I would draw and paint evenings and weekends. Then after a couple of more years I switched to a part time job and began painting three or four days a week. This is the schedule I kept for more than twenty years. Early in this period I produced a series of trompe l'oeil still lifes.
Still Life, acrylic/oil on panel, 11 1/2" X 9 1/4", 1990 

Although difficult I have never regretted the trade-offs this arrangement made necessary. I have to feel a personal connection with my subject for things to work. Not being dependent on art sales has allowed me the freedom to choose my own projects and time-frames.


  1. I don't think I could paint all day long even if I had the time or the financial resources to do so. Taking a break to do other things, even another job, is not so bad.

    1. Brian,
      Yes, I have been painting full time for almost seven years and find having other interests and distractions to be a good thing.