I have worked from the live nude periodically since the early 1970's. This blog starts in my second year of working almost exclusively from the figure.
In the fall of 2015 I reintroduced still lifes and an occasional cityscape into my painting repertoire. Rather than abandon this figure blog or start a new one I decided to just add them to the conservation.
All drawings and paintings posted on this blog were done entirely from the live model.
Friday, September 25, 2015
Stretching and priming canvases is time consuming and costs money. This being the case I often reuse surfaces of failed or abandoned paintings especially when they haven't progressed too far. A year or so ago after starting a painting with a model I decided the subject warranted a larger canvas. The abandoned effort has been leaning against a wall waiting for a project. It proved the most appropriate size for this watermelon painting. (My own summer crop by the way). Perhaps I should have stopped right here and started a flesh and fruit series.
Day one, Watermelons, oil on canvas, 26" X 30"
Studio interior, September, 2015
Totally by accident I have been presented with a perfect physical metaphor. I chose this canvas solely for its size oblivious to the existing image. It wasn't until I took these photos that the juxtaposition made itself obvious. So still lifes are eclipsing my figurative work … literally.